Two landmark musicals are coming to Badanai Theatre—and we’re looking for performers to help bring them to life.
Whether you dream of joining the revolution in Les Misérables, climbing every mountain in The Sound of Music, or being considered for both productions, we invite you to audition.
These are open community-theatre auditions. Performers of all backgrounds and experience levels are welcome. Adults and young performers will be considered depending on the requirements of each role.
Location: Badanai Theatre, 499 Dewe Ave., Thunder Bay
Performers only need to attend one audition session unless invited to a callback.
Advance registration is encouraged.
Register here: https://signup.com/go/iCbdTnv
Walk-in auditions will be accommodated as time permits.
When registering, please indicate whether you would like to be considered for:
Casting decisions will be made separately for each production.
Please prepare a short musical-theatre selection that showcases your voice and acting ability.
Your selection:
Audition materials may be stopped once the creative team has heard what it needs. This is not a reflection on the quality of the audition. Some performers may also be asked to read from the script, learn a short musical passage or participate in a movement assessment.
Callbacks will be held if required. Being invited to a callback does not guarantee casting, and not receiving a callback does not necessarily mean that a performer will not be cast.
Callback information will be provided directly to selected performers.
Both productions require a significant commitment from every cast member.
Rehearsal scheudle will be assigned and shared for each production given production needs and based on best avibility of the cast and the rehearsal hall. Additional music, staging or choreography rehearsals may be scheduled as needed.
Not every performer will be called to every rehearsal. A detailed schedule will be provided following casting.
All cast members must be available for:
Please disclose all known conflicts on your audition form. Conflicts do not automatically prevent someone from being cast, but undisclosed conflicts may affect continued participation in the production.
Badanai Theatre is committed to creating a welcoming, respectful and collaborative rehearsal environment.
Casting will be based on the needs of each production, including vocal ability, acting, movement, stage presence, chemistry, availability and the overall balance of the company.
We encourage performers to audition even if they do not see themselves reflected exactly in a character description. Unless a specific identity is essential to the story, roles may be cast inclusively.
Not every role requires extensive previous stage experience. We are looking for people who are prepared, open to direction, supportive of their fellow performers and ready to contribute to the full production.
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Set against the backdrop of 19th-century France, Les Misérables is an epic story of redemption, justice, sacrifice and the enduring power of hope.
The production requires exceptional storytellers, strong vocalists and a committed ensemble capable of creating an entire world—from factories and streets to barricades and battlefields.
Performance dates: February (to possible March) 2026
Rehearsals begin: Fall 2026
The ages below refer to the ages the characters appear onstage. Performers do not need to be the exact age listed to be considered.
Les Misérables is almost entirely sung and requires exceptional musical preparation, storytelling and ensemble discipline. While there is limited formal dance, the production is physically demanding and requires performers who can move confidently, create distinct characters and sustain the intensity of the score.
Many performers will portray several characters over the course of the production. Double casting may be used to create the ensemble.
Character age: Approximately 35–60 over the course of the story
Character: Male
Voice: High lyric baritone/tenor
Vocal range: G♯2–B4
Movement: Must move confidently; physically demanding role
A former prisoner who breaks parole and rebuilds his life under a new identity. Valjean becomes a respected businessman and mayor before devoting his life to protecting Fantine’s daughter, Cosette. Valjean is a man of enormous strength, dignity, compassion and moral complexity. His journey from bitterness to grace is the emotional centre of the production. This is an exceptionally demanding role requiring a powerful actor and accomplished singer with strong low notes, secure high notes, controlled falsetto and outstanding lyrical clarity.
Character age: Approximately 35–55
Character: Male
Voice: Baritone/bass-baritone
Vocal range: F2–F♯4
Movement: Must move confidently
A police inspector who relentlessly pursues Valjean. Javert believes absolutely in law, order and punishment and cannot accept a world in which mercy might exist outside the law. This role requires a commanding actor with natural authority, emotional control and a rich, powerful baritone voice. Javert must be imposing without becoming one-dimensional; his certainty gradually gives way to a profound internal crisis.
Character age: 20–30
Character: Female
Voice: Mezzo-soprano/belter
Vocal range: D3–E5
Movement: Must move comfortably
A young working-class woman struggling to support her daughter after being abandoned by the child’s father. After losing her job, Fantine is pushed into poverty, exploitation and illness.
Fantine must be portrayed as strong, loving and determined—not simply as a victim. The role requires emotional fearlessness, mature acting and a powerful contemporary musical-theatre voice.
Character age: 18–25
Character: Female
Voice: Lyric soprano
Vocal range: B♭3–C6
Movement: Must move comfortably
Fantine’s daughter, rescued from the Thénardiers and raised by Valjean. Cosette grows into a compassionate, educated young woman who falls in love with Marius. The role requires a light, youthful and floating soprano sound with limited heavy vibrato. The performer must bring emotional depth and strength to a character who represents hope, love and the possibility of a life beyond suffering.
Character age: 18–25
Character: Male
Voice: High baritone/tenor
Vocal range: B♭2–A♭4
Movement: Must move confidently
A young student revolutionary who falls in love with Cosette. Marius is romantic, sensitive and idealistic, but his experiences at the barricade force him to confront devastating loss. This role requires a strong lyrical singer and emotionally open actor capable of portraying youthful love, courage, grief and survivor’s guilt.
Character age: 18–25
Character: Female
Voice: Mezzo-soprano/belter
Vocal range: F3–F5
Movement: Must move confidently
The daughter of Monsieur and Madame Thénardier. Unlike her parents, Éponine has developed a strong moral centre despite growing up in poverty and criminality. She is fiercely independent, emotionally transparent and deeply in love with Marius, even though she knows he will never love her in return. This role requires an exceptional contemporary belt voice, emotional honesty and the ability to balance toughness, vulnerability and humour.
Character age: 20–30
Character: Male
Voice: High baritone/tenor
Vocal range: A2–G♯4
Movement: Must move confidently; physically demanding role
The charismatic leader of the student revolutionaries. Enjolras is passionate, intelligent, courageous and unwavering in his commitment to political change. The performer must possess a commanding stage presence, powerful voice and the ability to lead the student ensemble with conviction. Enjolras should inspire both the other characters and the audience.
Character age: 35–50
Character: Male
Voice: Character baritone
Vocal range: C3–G4
Movement: Strong physical and comedic performer
A corrupt innkeeper who later becomes a petty thief, criminal and opportunist. Thénardier is greedy, vulgar, manipulative and entirely without shame. This is a major character-comedy role requiring exceptional timing, physical confidence, vocal personality and the ability to remain dangerous beneath the humour.
Character age: 30–50
Character: Female
Voice: Character mezzo/belter
Vocal range: G♯3–D5
Movement: Strong physical and comedic performer
Thénardier’s formidable wife and equal partner in crime. She is sharp, coarse, aggressive, practical and unapologetically self-serving. This role requires a fearless comedic actor, strong character singer and bold physical presence. The comedy should grow from the character rather than becoming disconnected from the world of the story.
The ages listed below are character ages. Casting will also consider height, vocal maturity, stage presence and the performer’s ability to remain focused throughout rehearsals and performances.
Character age: Approximately 7–11
Character: Female
Voice: Child soprano/treble
Vocal range: A3–C5
Movement: Must move comfortably
Fantine’s young daughter, left in the care of the Thénardiers. She is neglected, mistreated and forced to work, but retains an inner gentleness and hope. Young Cosette sings “Castle on a Cloud” and requires a clear, controlled voice, strong storytelling instincts and the ability to portray vulnerability without becoming overly theatrical.
Character age: Approximately 7–11
Character: Female
Voice: Non-singing role
The pampered young daughter of the Thénardiers. She is treated very differently from Young Cosette and participates in her mistreatment. This is a small but important acting role. Depending on final casting, performers playing Young Cosette and Young Éponine may alternate or cover both roles.
Character age: Approximately 8–12
Character: Male
Voice: Treble/unchanged voice
Vocal range: B3–G5
Movement: Must move confidently; physically active role
A clever, fearless and streetwise child who survives by his wits in the streets of Paris. Gavroche is funny, bold and self-assured, but also courageous and deeply loyal to the revolutionaries. The performer must have a confident unchanged voice, strong acting instincts, excellent stage presence and the ability to deliver humour without losing the character’s bravery and emotional importance.
Character age: Mature adult
Character: Male
Voice: Baritone
Vocal range: A2–E4
A compassionate bishop whose act of mercy transforms Valjean’s life. Although the stage time is limited, the Bishop establishes the spiritual and moral foundation of the entire story. This role requires warmth, dignity, a rich lower register and strong dramatic presence. The performer will likely appear in additional ensemble roles.
Character age: Adult
Character: Male
Voice: Baritone
Vocal range: D3–D4
The overbearing supervisor of the factory where Fantine works. He abuses his authority and dismisses Fantine after conflict erupts among the workers. The performer will also appear in the ensemble.
Character age: Adult
Character: Male
Voice: Baritone/tenor
Vocal range: D3–F4
A wealthy and dangerous man who harasses Fantine and then demands that she be arrested when she defends herself. This role requires an actor capable of creating an immediate sense of entitlement and menace. The performer will also appear in the ensemble.
Character age: Adult
Character: Male
Voice: Featured ensemble
Vocal range: B3–E♭4
A man trapped beneath a heavy cart and rescued by Valjean. This brief role demonstrates Valjean’s extraordinary physical strength and places his hidden identity at risk. The performer will appear in additional ensemble roles.
Character age: Adult
Character: Male
Voice: Featured singer
Vocal range: C4–G4
The officer who confronts the students at the barricade. This performer will also appear in other ensemble roles.
The Friends of the ABC are students and workers committed to political change. Each requires a distinct personality, strong ensemble singing and the ability to work as a believable group.
Most student roles fall within an approximate vocal range of D3–G4. Individual tracks may vary.
Character age: 18–30
Voice: Baritone/tenor
The philosopher of the group. Combeferre is thoughtful, humane, peaceful and brave.
Character age: 18–30
Voice: Baritone/tenor
A passionate, youthful and fearless student. Courfeyrac is energetic, sociable and deeply committed to the cause.
Character age: 18–30
Voice: Baritone/tenor
A self-educated worker and orphan. Feuilly is warm, affectionate and passionate about freedom and national identity.
Character age: 18–35
Voice: Baritone/tenor
A cynical, witty and frequently intoxicated student who claims to have little faith in the revolution but holds deep admiration for Enjolras. This role requires strong character acting and the ability to reveal the loyalty and vulnerability beneath Grantaire’s sarcasm.
Character age: 18–30
Voice: Baritone/tenor
An eccentric and lighthearted medical student with a tendency toward morbid observations.
Character age: 18–30
Voice: Baritone/tenor
A gentle, poetic and thoughtful student who reveals great courage when required.
Character age: 18–30
Voice: Baritone/tenor
A cheerful and good-humoured student who remains optimistic despite his famously bad luck.
Additional students, workers and revolutionaries will be cast from the ensemble.
The members of Thénardier’s criminal gang should be individually recognizable, dangerous and capable of strong physical character work. These performers will also portray additional ensemble roles.
Character age: Adult
Character: Male
Vocal range: C♯3–C♯4
Handsome, calculating and dangerous. Montparnasse is the most polished member of the gang and carries a knife.
Character age: Adult
Character: Male
Vocal range: E3–E4
A streetwise and experienced member of the gang.
Character age: Adult
Character: Male
Vocal range: B3–C♯4
A brutal and impulsive criminal. Brujon relies more on force than intelligence.
Character age: Adult
Character: Male
Vocal range: C4–E4
A secretive, menacing and dangerous member of the gang.
The ensemble includes numerous featured singing and acting opportunities, including:
Many of these tracks contain solo lines, featured moments and substantial character work. The ensemble is the foundation of Les Misérables. It creates the prisons, factories, streets, docks, inn, barricades, wedding and revolutionary world of the production.
There is no traditional dance chorus, but performers must be physically expressive and prepared for demanding staging, including crowd movement, conflict, barricade sequences and rapid character changes. Every ensemble performer is a vital part of the storytelling and will probably be a character role listed above as well.
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Set in Austria on the eve of the Second World War, The Sound of Music tells the story of Maria, a spirited young postulant who becomes governess to the seven von Trapp children.
Filled with warmth, humour and some of musical theatre’s most beloved songs, the production explores family, courage, love and the choice to stand by one’s convictions.
Note: This production is with the Thunder Bay Symphony Orchestra.
Performance Date: April 24, 2027 at the Thunder Bay Community Auditorium
The ages below refer to the ages the characters appear onstage. Performers do not need to be the exact age listed to be considered.
Vocal ranges are provided as a guide and may include brief notes outside a character’s primary working range. Final casting will consider acting, vocal ability, movement, chemistry, stage presence and the overall balance of the company.
Character age: 20–35
Character: Female
Voice: Mezzo-soprano/soprano
Working vocal range: B3–G♭5
Extended note: Briefly reaches B♭5
Movement: Must move well
A postulant at Nonnberg Abbey who is sent to serve as governess to the seven von Trapp children. Maria is spirited, warm, compassionate, resourceful and unafraid to speak her mind. She brings music and joy back into the von Trapp home while discovering that her own calling may lie outside the abbey. This role requires an accomplished singer and actor with warmth, natural humour, emotional depth and a strong connection with young performers.
Character age: 35–50
Character: Male
Voice: Baritone/bass-baritone
Working vocal range: A2–C4
Extended note: Briefly reaches F♯2
Movement: Must move comfortably
A distinguished, retired Austrian naval captain and widowed father of seven. The Captain runs his home with military discipline, using order and emotional distance to protect himself from the grief of losing his wife. Maria’s arrival helps him reconnect with his children, music and love.
This role requires a commanding actor with dignity, emotional restraint, warmth and a strong, grounded singing voice.
Character age: 40+
Character: Female
Voice: Legit/classical soprano
Vocal range: B3–A♭5
Movement: Limited movement required
The wise, compassionate and authoritative leader of Nonnberg Abbey. Mother Abbess recognizes Maria’s potential and helps her understand that love, marriage and family may also be part of her calling. This role requires a mature dramatic presence and an exceptional soprano capable of delivering “Climb Ev’ry Mountain” with vocal power and emotional authority.
Character age: 35–55
Character: Male
Voice: Baritone or tenor/baritone
Working vocal range: C3–E4
Extended note: Briefly reaches F4
Movement: Must move well
A charming impresario, social operator and longtime friend of the Captain. Max enjoys comfort, culture and the good life. He recognizes the performing potential of the von Trapp children and hopes to enter them in the Salzburg Festival. Max is witty, sophisticated and pragmatic, particularly as Austria’s political situation becomes increasingly dangerous. The performer should have excellent comic timing and the ability to reveal the loyalty beneath Max’s self-interest.
Character age: 35–45
Character: Female
Voice: Mezzo-soprano
Working vocal range: C4–G5
Extended note: Briefly reaches B5
Movement: Must move well
A wealthy, elegant and sophisticated businesswoman who is romantically involved with Captain von Trapp. Elsa is intelligent, confident and accustomed to a cosmopolitan life. She should not be played simply as a villain. Elsa genuinely cares for the Captain, but her views about the children and the changing political situation reveal that she and the Captain ultimately want different lives.
Character age: 16, going on 17
Character: Female
Voice: Mezzo-soprano
Working vocal range: B3–C♯5
Extended note: Briefly reaches E5
Movement: Strong mover or dancer
The eldest von Trapp child. Liesl sees herself as nearly grown and takes on a maternal role with her younger siblings, but she remains naïve and in need of guidance herself. She is secretly in love with Rolf. This role requires a strong singer, actor and dancer with youthful energy and emotional sincerity.
Character age: 17, going on 18
Character: Male
Voice: Tenor
Vocal range: D3–G4
Movement: Strong mover or dancer
A young telegram delivery boy who is romantically involved with Liesl. Rolf initially appears charming, confident and eager to impress her, but he becomes increasingly influenced by the growing Nazi movement. The performer must believably portray both Rolf’s youthful romantic confidence and his gradual political transformation.
The von Trapp children are essential to the production and must work together as a believable family.
Performers should demonstrate:
The children’s music has a combined range of approximately B3–D5, with some passages reaching as high as G5. Individual casting will take vocal maturity and changing voices into account.
Character age: 14
Character: Male
Voice: Treble or unchanged tenor
Approximate vocal range: C4–G5
Movement: Must move well
The eldest von Trapp boy. Friedrich is proud of his position as the young man of the family but lacks the confidence and guidance he once received from his father. He remembers what the household was like before his mother died.
Character age: 13
Character: Female
Voice: Treble/mezzo-soprano
Approximate vocal range: C4–G5
Movement: Must move well
Clever, mischievous and skilled at testing new governesses. Louisa uses humour and tricks to hide how deeply she misses her mother.
Character age: 10, almost 11
Character: Male
Voice: Treble; must be comfortable singing in the upper register
Approximate vocal range: C4–G5
Movement: Must move well; participates in the Ländler
The youngest von Trapp boy. Kurt is sensitive, gentle and eager for attention, although he tries not to show how much his father’s emotional absence affects him.
Character age: 9
Character: Female
Voice: Treble/mezzo-soprano
Approximate vocal range: C4–G5
Movement: Must move well
Bright, observant and honest—sometimes more honest than the adults expect. Brigitta reads constantly and is often the first child to recognize what is really happening.
Character age: 7
Character: Female
Voice: Treble
Approximate vocal range: C4–G5
Movement: Must move well
Open, enthusiastic and forthright. Marta enjoys beautiful things, loves the colour pink and wants a pink parasol for her birthday.
Character age: Approximately 5–6
Character: Female
Voice: Treble
Approximate vocal range: Part of the children’s ensemble range
Movement: Must move comfortably
The youngest von Trapp child. Gretl is initially shy and soft-spoken but is also sweet, affectionate and full of personality. The performer must be comfortable speaking and singing onstage, working with older performers and remaining focused throughout rehearsals and performances.
Character age: Adult
Character: Female
Voice: Mezzo-soprano/alto
Vocal range: B3–D5
Movement: Must move well
The Mistress of Novices. Sister Berthe is traditional, disciplined and less tolerant of Maria’s unconventional behaviour than the other sisters.
Character age: Adult
Character: Female
Voice: Soprano
Vocal range: B3–F5
Movement: Must move well
The Mistress of Postulants. Sister Margaretta is empathetic, warm and able to recognize the good in Maria’s unconventional nature.
Character age: Adult
Character: Female
Voice: Mezzo-soprano
Vocal range: B3–E♭5
Movement: Must move well
A thoughtful member of the abbey who tries to remain fair-minded about Maria but is not always certain what should be done with her.
These characters are primarily acting roles. The performers may also appear in the ensemble and should be able to sing with a group or match pitch where required.
Character age: 30+
Character: Female
Voice: Primarily non-singing
The von Trapp family’s housekeeper. Efficient, professional and somewhat stern, Frau Schmidt understands the household and cares more deeply for the family than she initially reveals.
Character age: 30+
Character: Male
Voice: Primarily non-singing
The von Trapp family’s butler and a former naval orderly. Formal and efficient, Franz’s loyalties shift as the Nazi movement gains power in Austria.
Character age: 35+
Character: Male
Voice: Primarily non-singing
A stern political official preparing Austria for the Anschluss. Zeller is rigid, intimidating and determined to force the Captain into compliance with the new regime.
Character age: 40+
Character: Male
Voice: Primarily non-singing
A German naval officer sent to recruit Captain von Trapp into service. He is formal, authoritative and politically aligned with the new regime.
Character age: 35+
Character: Male
Voice: Featured ensemble
A neighbour and friend of Captain von Trapp who remains loyal to Austria and opposed to the Nazi takeover. This performer may also appear in other ensemble roles.
Character age: 30+
Character: Female
Voice: Featured ensemble; strong choral singer preferred
Baron Elberfeld’s wife and a guest at the von Trapp home. This performer will likely double as a nun or another ensemble character.
Character age: Adult
Voice: Soprano, mezzo-soprano and alto singers
Movement: Must move comfortably
The abbey ensemble includes nuns, novices and postulants of Nonnberg Abbey. These performers establish the musical world of the production and sing some of its most demanding choral material. Strong choral singers, confident sight-readers and performers with experience singing harmony are particularly encouraged to audition. Featured abbey roles and ensemble tracks may be doubled with party guests, festival performers and other members of the Salzburg community.
The adult ensemble will portray a variety of characters, including:
The ensemble requires strong actors, singers and movers who can create distinct characters and contribute to the changing emotional and political world of the story.
Some ensemble performers will cover multiple roles.
Badanai Theatre
Thunder Bay, Ontario, Canada
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